When in the audience, I like it when plays put demands on me. Questions left unanswered, sudden blackouts, genre switches, the feeling that breaking eye contact with a soliloquizing actor would somehow let them down. When the play’s purpose is worthwhile and its production has responsibly unleashed it upon the world, I would nine times out of ten prefer to feel like my work has just begun when a show is over than feel content and easy. It’s probably for the best, then, that